Posts Tagged ‘The War of the Worlds’

H G Wells: Star-Begotten

December 16, 2017

51jfygNYWNL._AC_US218_Another book bought twenty years ago and not yet read… and I can see why. Just a bit of tidying-up in my SF collection and this pot-boiler from late in the writer’s career can definitely go. He still has a bee in his bonnet all those years after The War of the Worlds.

The narrative style irritates, for a start: that of a slightly superior parent talking patronisingly to a child. And then there’s the plot – or total lack of it, for it’s no more than a series of conversations, that grow ever more didactic, and insane. It’s the story of a rather dull bourgeois man, who grows up questioning the world as a boy – as most children do – and this spirit is inevitably squashed out of him by all the usual pressures: growing up, study, work, family and so on, turning him into a conformist like everyone else.

Among his circle of friends, he latches on to the idea that cosmic rays are being deliberately directed at Earth by Martians – probably – who are seeking to convert the Earth and its inhabitants slowly and gradually into creatures more like themselves, in order to take over our planet, having failed with their direct invasion tactic; there are backward self-references to his own novel here, as well as to Olaf Stapledon‘s rather more serious work Last and First Men. His hero is clearly certifiable, as are the friends with whom he colludes, and yet the idea spreads and has its brief moment of media fame; he spends time ‘researching’ his idea, and even goes as far as to suspect his newborn son and his wife of being Martian changelings…

But, if you have reached this point thinking, why is lit.gaz wasting time even writing about such tosh, pause for a moment and reflect that Wells hasn’t completely lost the plot: there are several quite clever twists in the thinnish plot. Researching his crackpot thesis, he meets schoolchildren – whom he suspects of being changelings – who are exactly the same as he was at that age; we make the connection, even if our hero doesn’t, right until the very end of the novel, when he is about to crack up.

And again, although I wondered initially how Wells could waste his time with such meanderings in 1937, he does explore the idea, still relevant today, that humans have lost their grip as a species, that the world is now too complex by half for us to know what we are doing to it or ourselves, and certainly not to be in control of much of it. What does the future hold for us? Wells visualises a new kind of human, superseding all the baggage of the past, rather than one galloping towards the horrors that would arrive two years later. But interestingly, too, fake news rears its head: when the crazy Martian takeover by cosmic rays theory goes public, the notion that the media can and will be used to tell a credible public anything and to manipulate them shamelessly, is there, eighty years before our time…

It’s not a good book; it was a waste of eyeball time, as I like to put it. And yet, the Wellsian prescience is still there, and the notion of our limitations as a species is stronger now than eighty years ago, I think.


The end of the world

August 12, 2016

Mary Shelley’s The Last Man is, I suggested in my last piece, possibly the first disaster novel. I found myself wondering why it should appear at that particular moment, why she should come to consider the prospect of something more powerful than humankind bringing our species to its end.41VpTTxE6aL._AC_US160_

H G Wells did something similar when he faced the world with Martians in The War of the Worlds; humanity was saved not by our efforts or powers but by microbes. M P Shiel considered the destruction of the human race in The Purple Cloud near the beginning of the twentieth century. But it’s only really since the invention and first use of nuclear weapons that the apocalyptic novel has come into its own.51qfsKHY-yL._AC_US160_51gGBhD5N6L._AC_US160_

And Shelley’s novel is different in another way: she kills off all of humanity bar one: Verney is the last man and has the two final chapters of the book to try and begin to come to terms with this; even Shiel’s hero, if my memory serves me correctly, eventually finds a companion, of the opposite sex, too, so that all can begin again. But to be the last one? Of course, never to be certain, too, for in the vastness of the world how could a single man ever check the entire rest of the planet to be sure? Why would one waste time and sanity searching?

There is a power and an attractiveness in the concept, surely, as Shelley realises, for every reader can and surely will substitute her/himself for the hapless hero of her novel: what would we do in the circumstances? Where would we go? Would we travel or settle? How might we retain our sanity? At the end of the novel, Verney sets off in his little boat to circumnavigate the Mediterranean, clinging for safety to the coastline, hoping against hope that he might meet someone…

When I was teaching, there was a novel (written for teenage readers) by Robert O’Brien called Z for Zachariah, about a young girl who is perhaps the only survivor of a nuclear and biological war which destroys the USA, apart from her small valley with its own isolated microclimate which protects her from fallout and the rest: she must survive on her own, and the focus is on the practicalities of this, a factor which occurs not at all to Mary Shelley: everything in her novel is there for the taking… In class we would explore for a while the logistics of survival – water, food, clothing, shelter, health and sanity, and whether it would all be worthwhile; we had some very interesting discussions; no two classes ever reacted in the same way, and there were many interesting and creative responses to the end of O’Brien’s novel.51YZEEACBYL._AC_US160_

There is wonderful material for fantasy in the idea that one could have the whole world to oneself: choice of house or home, country; one could go anywhere and help oneself to anything one needed, indulging oneself materially, at least. One could go on an orgy of destruction as did Shiel’s hero… and one would have, in the end, to face the same question as did Defoe’s isolated hero with only a small island for his home: what is the point of it all? Defoe’s hero turns to his God for help and reads his Bible – which of course he rescued from the wreck – nowadays we, I think, are probably more likely to revel in playing God in such circumstances…

Post-apocalyptic futures…

February 24, 2015

I’ve been thinking about the taxonomy, or classification, of various types of what might loosely be called science fiction, in the light of earlier posts on this blog. There are differences and overlaps to consider, before I come on to today’s topic.

For instance, some utopias and dystopias might also be classified as alternative futures: Ernest Callenbach’s visions of California turning itself into an independent state run along ecological lines (Ecotopia, and Ecotopia Emerging) might have been considered alternative futures in the 1970s when they were written. Many dystopias are clearly also alternative futures, or were when they were first written. And I suppose the argument might be made that all utopian visions are alternative futures, although that doesn’t actually get us any further.

But then it seemed to me, as I thought first about Richard JefferiesAfter London (see the preceding post) that the classification also needs to take post-apocalyptic visions into account, as many of these may also be alternative future scenarios…

Enough theorising, time to consider some of my favourite examples. One of the best science fiction novels ever (see my listings pages) is Walter Miller’s A Canticle for Leibowitz, also one of the most pessimistic visions of humanity I can call to mind. Hundreds of years after a nuclear war, monks – still the repositories of knowledge – preserve the relics of the ancients (us) as civilisation slowly and painfully rebuilds itself, over many centuries, until it reaches such an advanced state that it can once again build nuclear weapons. And yes, da capo. Double post apocalypse yes, dystopia? I’m not sure. in M P Sheil’s The Purple Cloud, poisonous gases wipe out humanity permanently; in Arthur Conan Doyle’s The Poison Belt, it’s only temporary.

Apocalyptic scenarios were very popular in the 1950s and 1960s when consciousness of the fact that our species had reached such a high point in its development that it was now capable of not only destroying itself, but possibly most life on the planet, gradually dawned on writers. Not all visions used nuclear war as the trigger, in George Stewart’s Earth Abides it’s a disease, in John Wyndham’s Day of the Triffids it’s genetically-engineered plants plus laser weapons in space, though in The Chrysalids there has been nuclear war and attendant mutations.

Wyndham and JG Ballard are perhaps the obvious masters of the post-apocalyptic in different ways, although Christopher Priest, with The Death of Grass and The Empty World, rates a mention. All of these writers bring to science fiction, and to post-apocalyptic writing as a new genre, a consciousness of the ultimate fragility of our species, and indeed, of sentient life. Perhaps the first to consider this in a scientific fashion was HG Wells in The War of the Worlds, and interestingly Christopher Priest provides a marvellous twist on this story and on The Time Machine in his wonderful novel The Space Machine.

However, this is all to view everything from a twentieth century perspective, where science fiction itself is a recent notion, allowing us to ignore or forget writers from longer ago who also considered such notions, which brings us back to Jefferies, and of course, to Mary Shelley and The Last Man, which still gets my award for one of the best post-apocalyptic novels, for who can resist her fantasy of having the whole world to oneself to do with what one likes (with only oneself for company)?

Ronald Wright: A Scientific Romance

August 14, 2014

51769EB1CML._AA160_My post on dystopias (24 July) sent me back to apocalyptic fiction, as I thought it would, and firstly to another re-read of Wright’s splendid A Scientific Romance.

Writers’ fascination with HG Wells is easy to understand: his two novels, The Time Machine and The War of the Worlds are early masterpieces of speculative fiction. Christopher Priest wove the two plots together marvellously in his tribute The Space Machine, which I also thoroughly recommend. Wright’s take is different: Wells’ machine is scheduled to re-appear at the end of 1999 and does so, and is taken possession of by another traveller who ventures five centuries into the future…

The novel was written in 1998; the threat of BSE and CJD as well as HIV (don’t medics and scientists love acronyms!) inform Wright’s future, as well as the effects of climate change; civilisation apparently collapsed in the mid 2040s; after a melancholy exploration of the remains of the land, he comes across a small group of survivors clustered together, clinging on to the remains of civilisation on the shores of Loch Ness…

One could, uncharitably, argue that there’s nothing original here: he’s lifted the concept from Wells, and imitated 19th century apocalypses like Mary Shelley‘s The Last Man and Richard JefferiesAfter London, or MP Shiel‘s The Purple Cloud (and re-visiting this one is next on my list), and Wright acknowledges these in his notes. And yet, it’s a stunningly good novel – first novel – which won awards when first published.

It’s framed well, by an expired love triangle remembered with fondness by one of the members addressing the others; it’s erudite, abounding in references to texts from the past as he writes about our vanished present which has become a lost past in the year 2501; it’s for our times not the 1820s or 1880s or 1900s: it gains n some of its power from the aspects of our very own lives that we can see becoming our nemesis in the near future. For a genre that often leaves characterisation very thin, Wright does well: his central characters do come to life and haunt us. I think in my league table he comes pretty close to A Canticle for Leibowitz.

After the Apocalypse…

August 3, 2014

Thinking about utopias and dystopias in recent posts reminded me of post-apocalyptic scenarios. It might seem as if that particular strand in literature must be a relatively recent one, in that only since the invention of nuclear weapons have we been forced to accept the possibility that we could annihilate ourselves as a species.

But no: back to Mary Shelley, author of the more famous Frankenstein. She wrote a novel which I think I prefer, because it’s rather less frantic and over-written than the former – The Last Man, which describes just that situation: a plague gradually kills off all human beings save one, who travels through the empty and deserted remains of civilisation, reflecting on his fate. It’s an astonishing effort of the imagination, and deserves a wider audience. Early in the twentieth century, in The Purple Cloud, M P Shiel imagines a similar series of events.

Perhaps because we are such a social species, writers have striven to imagine the opposite. Perhaps because we are a warlike species, they have sought to imagine us ultimately defeated, by greater forces than ourselves – H G Wells could have had us completely annihilated by the Martians in The War of the Worlds, but chose not to, developing a different message for the human race by pointing out the fragility of any organism when faced by unknown microbes or bacteria.

And then there’s the fantasy element, as we read any of these novels: what would I do in that situation? What if I had the world to myself, all its resources and riches: how would I play with them all? Where would I go? Shelley’s hero wanders through the beautiful places of Europe…

John Wyndham imagines a combination of elements dealing the death-blow to humanity in The Day of the Triffids: another warning about humans over-reaching themselves. Deadly plants which can communicate with each other wipe out the blinded human race, except for a small enclave which retreats to the Isle of Wight, there to exercise constant vigilance against the dreaded weeds.

One of my favourite tales is Earth Abides, by George Stewart: a storyfrom the 1950s again sees humans almost wiped out by a plague; there are some survivors, but what interests Stewart is how they would struggle to survive in small numbers, with their limited and compartmentalised knowledge, how much they would need to re-discover and re-invent in order to sustain civilisation, and how inevitably with the passage of time and generations, so much knowledge and ability would be lost, and the gradual sinking into primitiveness and savagery would be hard to avoid. It’s a poignant tale, perhaps somewhat dated now, but good for making one think about the fragile veneer of civilisation…

I think the best, and most harrowing and haunting, at least to my knowledge, has to be Walter M Miller‘s A Canticle for Leibowitz. It’s set in a remote, post nuclear holocaust future where a bastardised version of the Catholic Church strives to preserve the knowledge of the past in its monasteries; slowly and painfully, civilisation is re-established, but only for humans to gradually and inevitably make the same ghastly mistakes all over again: nuclear weapons are re-invented and wreak their horrific toll once more. Such a pessimistic vision of the species and its history could only have come out of the 1960s, with the threat of annihilation hanging over the world. It’s beautifully written, painfully described, and leaves us with no hope.

But now, I’m off to re-read a novel from the 1990s: A Scientific Romance, by Ronald Wright, in which a Wellsian time machine maroons a traveller in a post-apocalyptic Britain…


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