Posts Tagged ‘Richard Brautigan’

On living in a bubble

April 15, 2017

I think I was probably a fully paid-up hippy in the 1970s, and that means I read quite a bit of what I suppose must be hippy-lit in those days, too, writers like Richard Brautigan, Jack Kerouac and William Burroughs, as well as others like Hermann Hesse who, though not hippies themselves, were adopted by them. One book I’ve hung on to since then – Another Roadside Attraction, by Tom Robbins – I’ve just been back to, for some reason, probably the trippy cover, I suppose. And it’s got me thinking…

I enjoyed the book back then, read it twice according to my back-page notes. This time around it was just ever so faded, dull, not boring but I didn’t really care whether I finished it or not: I’d out-grown it. And I’ve written before about this idea, too. It’s an amusing tale, full of zany characters and outlandish events, plenty of sex, drugs, music and anarchy, the kind of things I suppose I aspired to way back then.

I found myself realising how much of a bubble I lived in then, still do now, and thought that perhaps actually we all do, in our different ways. Here was a novel in which nobody did anyone any harm, everyone strove for pleasure and a happy life free of restrictions – what’s not to like? Except, of course, that there were plenty of people then who didn’t like such ideas, such freedom, such lifestyles: think of the ending of the film Easy Rider.

We all discover the things, places, people and pastimes that we enjoy and find superior to others; this allows us to look down on and make judgements about those who have different preferences. I don’t read chick lit, war novels, westerns, fantasy, novels about sport or horse-racing; I read proper literature, novels from other cultures, the classics, dammit! And when you realise that the entire world is actually fragmented into uncounted numbers of subgroups in terms of so many things – literature, food, drink, television, religion, politics, then you realise just how hard it would actually be to get enough people to agree on enough things to actually make any positive changes in the world we all share. I’ve read plenty of dystopian novels about overpopulation, pollution, climate change… most people haven’t, and probably don’t give a monkeys.

And this is where I find myself getting political, and remembering that feminist slogan from the 1970s: the personal is political. We all make choices, and choices have consequences. It serves the needs and continuation of the current system very well that we all live in our own little bubbles, that we all belong to so many subgroups according to our particular concerns, and that we don’t come together to make a bigger challenge to the status quo: divide and conquer, as the Romans realised a very long time ago.

Back to my hippy novels – which I’m revisiting prior to the next clear-out, I think – whilst I don’t actually think many people at all would disagree with the idea that we should all be nice to each other, not fight wars, enjoy ourselves, be nice to the world and cherish our environment, there are few places for ordinary people to discover that about each other or to share what they really believe in. Mass communications and the media are in the business of keeping us separate, individual. Ray Bradbury’s short story The Pedestrian is our scary world: utopia is a lot further away than I imagined.

American literature and me

August 28, 2015

American literature was part of my study syllabus at university, and I remember enjoying it very much, at times more than the Eng Lit I was also reading, but I cannot now remember why, apart from the lifelong love of Mark Twain it gave me. I liked his adventurous and pioneering life, his wide-roaming travels, and the ways in which he brought his own childhood to life in The Adventures of Tom Sawyer and The Adventures of Huckleberry Finn. One got a sense of the relative innocence of the times, and the incredible freedom available then, too. I taught Tom Sawyer whenever I could at school, and I think my pupils enjoyed it mostly, identifying with the adventures, the rebellion, the dangers and the finding of a fortune.

It’s the American Dream, par excellence, of course, in the days when perhaps it still was available to everyone; Huck’s decision to light out for the territory is an astonishing breath of freedom and escape from a stifling world. Twain also conveys his love for the physical landscape and the vastness of the United States: Life on the Mississippi is his tribute, and I can thoroughly recommend the excellent Librivox recording of it.

I read Moby Dick and was suitably awed by it at the time, but have felt no call to re-read it. On the other hand, Walden bored me to tears as an undergraduate, and I only came to appreciate it in later years. Its magic was a little dimmed by the discovery that the cabin in the woods, though isolated, was not that far from civilisation, and Thoreau was able to take his washing home for his mother to do… Emerson and the transcendentalists left me cold; I loved Poe and his macabre tales. In the twentieth century, I could not get into Faulkner, and though I tackled a lot of Scott Fitzgerald, The Great Gatsby left me, and still leaves me, utterly unmoved.

More recent writings I have warmed to include those of Garrison Keillor; again, his tales capture some of the original innocence of bygone days and the back of beyond. In my hippy days I loved the vague and lyrical weirdness of Richard Brautigan, but have not gone back to him despite the books still lying on my bookshelf. You can keep Don de Lillo.

If I had to nominate a single twentieth century American classic, it would undoubtedly be Joseph Heller’s masterpiece, Catch-22, which will stand up to any number of re-readings; satire, history and gut-churning realism, it destroys the illusion of a ‘good’ war and forces the reader to engage with the complexity of the issues.

Science fiction has been an enormous part of American literature in the past fifty or sixty years and the US contribution to the development and flourishing of the genre should not be overlooked or underestimated: let’s mention Ray Bradbury, Isaac Asimov, Philip Dick and Ursula LeGuin just for the record… and then there’s detective fiction and Raymond Chandler

For me, American literature epitomises freedom and independence; the proclaims a sense of space and freedom to experiment, to be able to rewind or go back to start in so many ways, if one’s original ideas don’t work, and this is not the way we tend to think or to view life here, I feel. There’s a sense of power, too, which comes from living in a country which is also a continent: there are no enemies bigger than you, no possibility of invasion and conquest – again, how unlike Europe – ironically the US thereby actually becomes more isolated, more insular, and that’s something we know about here in England too.

The profound differences between the dynamism, violence and openness of the US continue to astonish me; perhaps I am naive, but I sometimes feel the almost-shared language has hidden these differences from this Brit…

Growing up or outgrowing?

March 4, 2014

As I look at my bookshelves, I’m struck by the number of books that have been sitting there for many years, often since my student days, aging, crumbling, unopened. And yet they are books that were read and re-read, and loved, all those years ago. Now they do not call to me, and yet, despite needing to clear out and reclaim space, they have not been disposed of. I wondered what was going on…

I have a lot of Herman Hesse‘s novels; my friends and I devoured them at university. I even have a critical work on Hesse that I bought all those years ago, but haven’t read. Steppenwolf we particularly enjoyed, and the complexity of The Glass Bead Game, but it was Narziss and Goldmund that I returned to recently, and re-read (there’s a post about it in the archive); the story of two friends whose lives develop and play out in two totally different ways, narrow yet fulfilling, much wider and perhaps forever incomplete, still tugs at my heart all those years after I first loved it, when I suppose I could see my life all before me and wondered how it would play out. Well, I know now. I know I’ll never part with the book, but as I grow older, reading it is more painful: truly, there is not enough time in one lifetime to experience everything, as Goldmund discovered. Similarly, the story of Siddartha‘s search for the meaning of life speaks to my condition as I look back over time and what I have accomplished.

I still have several of Jack Kerouac‘s books. again leftovers from my student days. I can’t imagine ever re-reading them, as they will also remind me of days I cannot have back. But Kerouac was one of the writers who inspired my friends and me in our explorations of states of consciousness, freedom, and the urge to travel; it’s this last that has stayed with me the longest. I travelled a lot on my own in my younger days and loved it, and in my retirement I have rediscovered this; long may it continue.

Somerset Maugham‘s The Razor’s Edge, which I recently re-read, is another of those books about the need to travel physically and mentally in order to discover one’s true self; it spoke to me years ago, but I wonder if anyone reads it now? Similarly, Sartre‘s The Roads to Freedom trilogy showed me how one needs to create one’s life and existence and meaning, and how hard that is, even though ultimately fulfilling. I suspect I will return to it sometime soon. I only wish I could track down the ancient BBC dramatisation of it, too. Richard Brautigan was froth about sex and drugs and freedom – those hippy days – children’s books for grownup children, but good fun. They should have gone years ago, but haven’t. And D H Lawrence…? His novels were powerful, fascinating explorations of relationships between men and women, women and women, men and men, arguments for sexual freedom without constraints that spoke powerfully when one’s experience of those things was limited; now they seem positively toe-curling, and I cannot ever imagine picking any of them up, except perhaps Sons and Lovers.

This hasn’t been an exhaustive list of writers and books; what has become rather clearer as I’ve thought about them is the way that writers can have a powerful influence on one’s formative years and how one lives one’s life, in a similar way to one’s friends and acquaintances, especially when one’s life is still immature, unshaped. Friends move on and disappear from our lives: the books can stay on our shelves, loved and not forgotten, reminding us of who we were just as effectively as fading photographs.

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