We are reading about our own era, our own time, but the world is not ours: it’s slightly different, or greatly different, but things have changed, and we are mesmerised, drawn in to see what happens, why it is like this. There has been a fair amount written about alternative histories recently; it’s a genre I’ve always enjoyed, so it’s time to share my thoughts and recommendations…
At the obvious level, such writings are fantasy: that world is never going to exist. The novel is entertainment, often very good entertainment – and yet it is more. It is thought-provoking in the reader because it reflects the consequences of a different choice at some time in our past, and as humans we make choices all the time. It may reflect a different outcome to an action or an event, an effect of chance, and we are reminded that we are at the mercy of events, at the mercy of our own flawed decisions. On the micro level this is the story of our life, and on the macro level it becomes history.
There are some wonderful novels which consider ‘what if’, such as a successful Spanish Armada conquering England in 1588 (Pavane, by Keith Roberts), the Reformation never happening (Kingsley Amis’ The Alteration), the Confederacy wins the American Civil War (Ward Moore’s Bring The Jubilee), the Nazis succeed in building their thousand-year Reich (Swastika Night by Katharine Burdekin), the Axis Powers win the Second World War (The Man in the High Castle by Philip Dick), Christian fundamentalists take power in the USA (The Handmaid’s Tale by Margaret Atwood. I also have a whole collection of short stories written a century ago imagining the various possible outcomes of the coming Great War between Britain and Germany.
Historians have mocked the value and significance of alternative histories. I don’t see why; it’s hardly encroaching on their territory. But they have made the valid point that there are many factors involved in a chain of events, that no one, single change can be that powerful in isolation – for instance, the First World War would have happened even if Princip’s bullets had missed their target, the Second World War would have happened even if Hitler had been assassinated…
On that last question, I’m reminded of a fascinating novel La Part de l’Autre by Eric-Emmanuel Schmitt, which I don’t think has been translated into English. It’s about a young Austrian would be art student; it begins as a single story but forks into two different tracks and becomes two parallel novels in the same book. One track follows Adolf Hitler (for it is he) through failure as an artist, experiences in the great war, into politics and the rest is history. The second track imagines that same student a successful artist who serves in the Great War and comes home to develop a successful career as an artist; events gradually diverge from the ones we know: Hitler’s life as an artist has a public effect, the Second World War still happens though without his help, but still provoked by the injustices of the Treaty of Versailles… It’s not a brilliant novel, but it is fascinating and compelling precisely because the author has written the two diverting stories in parallel so we can see the gradual unfolding and diverging of the alternate history before our eyes.
For me, such writing is entertaining, and it’s valid as an exercise in humans reflecting on themselves, their choices and their errors and the consequences of these, and, as a citizen, I could wish that certain people did an awful more of that.
LIT.GAZ. 