Posts Tagged ‘entropy’

Reflections on utopias (2)

August 21, 2018

Boring

There are other problems with utopian novels, in terms of their structure; certainly the novel which started me off raises a number of them. Utopian novels are often rather, or very dull. Rarely do they have more than the most basic of linear plots; there’s very little character development, almost no suspense or excitement; lots is left unexplained because it cannot be explained. What you have is a didactic text, not a novel as we know it, Jim. There’s almost no subtlety. Thus, it cannot be explained how our hero is escaped from the Paris blockade; he’s conveniently hypnotised to sleep while it all happens, after having promised he will never ask about it. When the author thinks we may have had enough of the Oxford student telling his linear story, he shifts to having his Cornwall vicar continue the same linear story. And then, in the mysteriously appearing manuscript, Aleriel himself continues his linear narrative. Subtle it isn’t, dull it becomes. We are never told why it’s so important that the Venusian doesn’t reveal himself to the Martians when he travels around their world…

Two exceptions

If you’re going to describe a perfect world, then what ought to have been a novel soon becomes a geography or history or sociology textbook. Some writers – better writers – realise that a real plot is going to make their novel rather more interesting. I’ll mention two examples. Austen Tappan Wright’s tour-de-force (over a thousand pages) Islandia has a wide range of characters including someone from our world who explores and comes to feel that the utopian society he visits is preferable to his own; he develops real, and romantic relationships with characters from that world, which is under threat in various ways, and he offers his help and skills in various ways as these plot strands beyond his own are played out… in other words there are plots and people to interest us

Ursula Le Guin takes a similar approach in her anarchist utopia The Dispossessed: the home planet Urras is our capitalist earth and Anarres its moon is the breakaway would-be utopia, here a work-in-progress rather than something complete, where everyone, and particularly anyone dissatisfied can see and if they choose reach the glittering alternative: there is a complex dynamic between the two worlds which moves the story along. Do you want the gritty, poor and hard-won utopia or the flesh-pots of capitalism? (I oversimplify, grossly); if you are living in one, does the other seem more attractive? Is it really? What can and should you do about it? Le Guin’s novel is possibly the supreme achievement in the genre, raising, as it does, so many real questions that pertain to us and our society, and making us think deeply about them. Furthermore both these authors succeed in creating a range of fully developed and convincing characters with whom the reader engages: their fates matter to us, played out against the backdrop of their fascinating worlds.

What is the point?

Many writers, including a fair number of cranks, have pictured their visions of a perfect society. As a form, the utopian novel often does not work, at least as a novel, for reasons I’ve listed above. They are of academic interest, perhaps. Some writers do better – see the last two examples. But ultimately, the visions are unachievable, it seems to me, without our giving up a great deal of what we cherish dearly as part of our human nature. Equally, though, we find it very difficult to imagine our species in any way radically different: Brave New World faces us with that possibility very forcefully: the inhabitants of that society are almost all completely happy. Why, then, do we recoil?

There is the issue of transition: whilst writers can imagine a utopia, to convince us that it’s possible to get to it from where we are now, is a much taller order, which fewer writers attempt. Instead we are parachuted into a new world. And no matter how desirable a new world might be, is it achievable without great violence, upheaval and bloodshed? Look at what happened with the Russian Revolution. That’s not to say that to make an attempt is not worth it, merely to underline the difficulties. My utopia will be someone else’s dystopia.

Finally there is the problem of stasis. For better or worse, so far in human history we have known intellectual and material progress, as our minds, understanding and knowledge have developed. There is a dynamism, a power in this which cannot exist in a utopia, which is by nature perfect: there is no further progress to be made. Venusians are eternal. Would we not then be faced with the problem of entropy? Would things not inevitably but slowly disintegrate? Can utopia only ever be a dream?

Further musings and reflections available here and here.

Return to Utopia

February 2, 2016

I’ve written about utopias at various times, in relation to specific books I’ve read, and more generally, too; I’ve been doing some more thinking recently. Utopias have changed over time: originally they were static worlds, because perfect, and if something is perfect, then any change is per se a deterioration. But stasis has its own dangers, too – that way entropy lies. So, more recently there has been more of a sense of a utopia as a work in progress, with at least some projects or activities allowing the dynamism that we recognise as a human attribute to flourish. In Yefremov’s Andromeda, for instance, it’s contact with alien civilisation that’s the great excitement of the moment. Huxley’s Brave New World – which is a utopia – is fixated on maintaining stasis at all costs, but this seems to matter less as the realisation grows that the inhabitants may be happy, but are not human…

Edward Bellamy’s Looking Backward is a highly organised and regulated socialist utopia in the United States (!); this apparent contradiction got me thinking about the balance between individuals and groups. Because a utopia is a perfect society (or working towards that state) it seems to me that the role and fulfilment of the individual of necessity has to take a subordinate place to the functioning of the society as a whole, and this is an idea that does not sit easily with us in the West at our particular stage of (capitalist) development. An individual utopia just does not seem to be a possibility (at least, I have yet to encounter one in fiction). And utopia is therefore compulsory for all its inhabitants – you cannot just opt out, for there is nothing to opt out to, if you see what I mean; furthermore, if it is a state of (near) perfection, then its members presumably accept that compulsion and consequent limitations on their freedom as individuals. This brings us back to that hoary old chestnut, freedom from versus freedom to…

Inhabitants of Anarres, in Ursula Le Guin’s The Dispossessed, seem used to being organised by each other in an anarchist state, accepting rotated allocations to society’s more demanding and less pleasant tasks; it’s possible to imagine that humans might behave like that one day, but how do we get there, from where we are now? Transitions to utopia are often the least successful part of an author’s imagining. And what happens to misfits, the awkward ones, those who don’t or won’t or can’t fit? Huxley exiles them to islands; Marge Piercy in Woman on the Edge of Time, has her utopia execute criminals who can’t be reformed…

So, a utopia inevitably for us, posits a tension between what is best for individuals and best for the group. And, if the entire world is not part of the utopia, but only part of it is, such as in Ernest Callenbach’s Ecotopia, or Austin Tappan Wright’s monumental Islandia, then the utopia is constantly looking over its metaphorical shoulder to see what the outsider threats might be.

The original, utopian hedonism of the 1960s was naive and its intentions soon subverted by the system which cashed in on rampant individualism in every way possible: if society is a mass of individuals all in pursuit of their own particular happiness or fulfilment, then there are myriad opportunities to sell stuff to each one of them… and that is what happened, on a grand scale, and is still happening: the idea that we might first consider what might be good for the bigger whole – all of society – has become alien territory, and utopia has receded.

I think that is why, to me at least, utopia remains and always will be the stuff of dreams: there are too many of us humans, all programmed to have so many different wants and needs; even if we could share resources out so that everyone had enough – and there is enough to be able to do this – I still can’t see us thereafter agreeing to sublimate ourselves to a greater good. Maybe I’m just having a bad day…

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