Posts Tagged ‘Edgar Allen Poe’

Josef Skvorecky: An Inexplicable Story

April 21, 2020

51ECHZPYPGL._AC_UY218_ML3_     This was a really strange one to come back to; apart from the Roman setting I’d completely forgotten the plot, which is presented in the standard ‘mysterious manuscript found’ trope, with all sorts of spurious annotations and authentications.

A mysterious set of decayed scrolls in Latin, from the years of Tiberius, has been found in Mexico, in a settlement where the Maya civilisation once existed. Translated, it provides a very scrappy and disconnected tale of a Roman who was perhaps in some way related to the poet Ovid and who is interested in the poet’s exile and final disappearance, and who also seems to have been an inventor of some kind who may have invented a steam engine which assisted a ship across the ocean…

It’s obviously an exercise in constructing a plausibly fake manuscript and story, and meshing it in an already known reality, in the way such writers and Defoe, Eco and Conan Doyle have successfully done, along with many others. I should have recalled Skvorecky’s interest in, and writing of, detective stories among his other novels, and his particular liking for Edgar Allen Poe (he weaves in the latter’s Narrative of Arthur Gordon Pym very cleverly).

The story is nested in many layers to give it a semblance of authenticity: a corrupt manuscript, introduction and detailed commentaries and annotations from academics, which weave in many well-known details and figures from Roman history, and supporting documents provided by others… and yet, in the end the author’s dedication to his wife of forty years makes clear it’s basically a very elaborate hoax he’s devised to refer back to their mutual admiration of Poe. It also links nicely into my favourite Skvorecky novel, The Engineer of Human Souls, in which the hero is a teacher of American literature to college students, and one of the chapters focuses on Poe.

It’s a short read, a diverting one, and a clever one, and a reminder of how much I have long admired this under-rated Czech dissident writer.

American literature and me

August 28, 2015

American literature was part of my study syllabus at university, and I remember enjoying it very much, at times more than the Eng Lit I was also reading, but I cannot now remember why, apart from the lifelong love of Mark Twain it gave me. I liked his adventurous and pioneering life, his wide-roaming travels, and the ways in which he brought his own childhood to life in The Adventures of Tom Sawyer and The Adventures of Huckleberry Finn. One got a sense of the relative innocence of the times, and the incredible freedom available then, too. I taught Tom Sawyer whenever I could at school, and I think my pupils enjoyed it mostly, identifying with the adventures, the rebellion, the dangers and the finding of a fortune.

It’s the American Dream, par excellence, of course, in the days when perhaps it still was available to everyone; Huck’s decision to light out for the territory is an astonishing breath of freedom and escape from a stifling world. Twain also conveys his love for the physical landscape and the vastness of the United States: Life on the Mississippi is his tribute, and I can thoroughly recommend the excellent Librivox recording of it.

I read Moby Dick and was suitably awed by it at the time, but have felt no call to re-read it. On the other hand, Walden bored me to tears as an undergraduate, and I only came to appreciate it in later years. Its magic was a little dimmed by the discovery that the cabin in the woods, though isolated, was not that far from civilisation, and Thoreau was able to take his washing home for his mother to do… Emerson and the transcendentalists left me cold; I loved Poe and his macabre tales. In the twentieth century, I could not get into Faulkner, and though I tackled a lot of Scott Fitzgerald, The Great Gatsby left me, and still leaves me, utterly unmoved.

More recent writings I have warmed to include those of Garrison Keillor; again, his tales capture some of the original innocence of bygone days and the back of beyond. In my hippy days I loved the vague and lyrical weirdness of Richard Brautigan, but have not gone back to him despite the books still lying on my bookshelf. You can keep Don de Lillo.

If I had to nominate a single twentieth century American classic, it would undoubtedly be Joseph Heller’s masterpiece, Catch-22, which will stand up to any number of re-readings; satire, history and gut-churning realism, it destroys the illusion of a ‘good’ war and forces the reader to engage with the complexity of the issues.

Science fiction has been an enormous part of American literature in the past fifty or sixty years and the US contribution to the development and flourishing of the genre should not be overlooked or underestimated: let’s mention Ray Bradbury, Isaac Asimov, Philip Dick and Ursula LeGuin just for the record… and then there’s detective fiction and Raymond Chandler

For me, American literature epitomises freedom and independence; the proclaims a sense of space and freedom to experiment, to be able to rewind or go back to start in so many ways, if one’s original ideas don’t work, and this is not the way we tend to think or to view life here, I feel. There’s a sense of power, too, which comes from living in a country which is also a continent: there are no enemies bigger than you, no possibility of invasion and conquest – again, how unlike Europe – ironically the US thereby actually becomes more isolated, more insular, and that’s something we know about here in England too.

The profound differences between the dynamism, violence and openness of the US continue to astonish me; perhaps I am naive, but I sometimes feel the almost-shared language has hidden these differences from this Brit…

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