Posts Tagged ‘daemons’

Philip Pullman: The Secret Commonwealth revisited

April 4, 2021

     It was time to revisit The Secret Commonwealth, which was published a year and a half ago; I’m looking forward to the next and possibly final novel, which may come out in the autumn, if Philip Pullman and his publishers stick to the existing schedule…

This time around, I was struck by just how much this book is about daemons, the relationships between humans and their daemons, and, for those of us living in the world without them – at least without the separate, visible companions – quite deep reflection on what the daemon may symbolise. In Lyra’s world, as she grows older, it becomes apparent/ she learns that quite a number of humans can separate/ be separated, voluntarily and involuntarily, from their daemons: we are a long way from the horrors of Bolvangar in the first volume of His Dark Materials. Lyra and Pan have fallen out; she changes as she grows older, becomes more cautious, less adventurous, and he leaves her, to try and find and bring back her imagination…

Lyra has read a novel set in a world in which humans have no daemons (and yet, curiously, she does not seem to make a clear connection with Will’s – ie our world), and she has read a philosophical work which argues that daemons are a figment of the imagination; in my terms, she’s struggling with the relationship between the material and the spiritual, a struggle which many manage completely to avoid in our world. But the secret commonwealth, a sense of hidden but real connection in mysterious ways between all sorts of beings and creatures, which does not exist on a rational level, keeps impinging on her as she pursues her adventures.

We’re also engaging with Pullman’s view of our own world, as reflected at one remove in Lyra’s. Pullman clearly does not like many things about the ways we live – and I’m happy to agree with him there – and we see characters engaging in that struggle for the Republic of Heaven that was formulated at the end of His Dark Materials, working beneath the surface of society in numerous ways for decency, and a sane and sensible attitude to life for everyone, against superstition and power games. Pullman’s message is a subversive one, especially as he engages with the blurring of the lines between truth and lies which is going on even as I write. For Pullman, the rational approach alone is not sufficient, and furthermore seems to be being used to reassure people that it’s OK to be selfish… which it’s not (within limits).

I’d have expected the cataclysmic events at the end of His Dark Materials to have made more of a difference to Lyra’s world even ten years later, than they actually seem to have done; the Magisterium and its religious fanaticism seem as strong as ever.

I think Pullman is also writing about what happens to us as we grow up, grow older, hopefully mature, certainly as we become adults. Lyra’s journey isn’t an easy one, as she reads and argues, and tries out new ideas for size. Many people do this, and are perhaps radically transformed, or develop along quite unexpected paths; her conflict with her daemon is at one level an obvious externalisation of a process a good number of us experience internally as we grow older. Pullman wants his readers to stop and reflect, I feel: back with Socrates’ idea of the unexamined life not being worth living. And beneath it all are the important values of decency in our own behaviour, and care for the less able or less fortunate than ourselves, very Christian values expounded by an author who at the same time is ferociously challenging the mind-controlling structures of established religion. Subversive, as I said before, and very good stuff.

You may feel I’ve said precious little about the novel itself. True, and I invite you to read what I wrote first time around, here.

Philip Pullman: The Secret Commonwealth

October 7, 2019

91hoRkijvXL._AC_UY218_ML3_   I am trying to avoid spoilers in this post, as it’s such early days…

Well, the two years’ wait for this, the second volume of the second Philip Pullman trilogy, has been worth it. And I assume there will be another couple of years to wait for the final volume: this one breaks off in medias res, ‘to be concluded’… Here are some of my initial reactions.

The broader picture begins to emerge with this second book. The first trilogy, His Dark Materials, wasn’t quite for children, but was centred on children approaching adulthood as central characters. The plot and the narrative style was appealing to a younger and an adult audience, with a huge canvas of different worlds and varied plot-lines; it seemed to be almost leading younger readers towards adult themes and ideas, centred on the power of religion and the difference between innocence and experience.

Readers passionate about that series will have hoped for more of Lyra and Will, and the many worlds. La Belle Sauvage, the first in the second series, was a curious bridge, in a way, taking us back ten years in time to Lyra and her importance even as a baby in the grand scheme of things, and as the Will-Lyra story was ten years in the future, not a word of it in that book. Here, in The Secret Commonwealth, we leap forward to ten years after the events of His Dark Materials, but remain firmly anchored in Lyra’s alternate universe. And eventually, various characters from La Belle Sauvage re-emerge and take their places in the story. Mrs Coulter is missing, but her brother is a key character in the plottings of the Magisterium…

And we are now most definitely not in younger readers’ territory: Lyra’s adult world is much darker, and the plot and events of this novel are much darker, even if we found the idea of the research station at Bolvangar separating children from their daemons quite spine-chilling. Part of me felt that I was losing out with the absence of the different universes, but I’ve accepted that Pullman is doing something different here, in this more adult alternate world, which is much more ‘real’ and less fantastical. Lyra is now a grown-up, in her world: it’s a different world from that of her childhood.

In this world the tentacles of the Magisterium are extending in every direction as they attempt to prevent what would seem to be the potentially liberating nature of the knowledge of Dust being known, researched, spread. And the semi-underground opposition known as Oakley Street work to thwart the Magisterium and to protect Lyra and others as they seek out knowledge. The Secret Commonwealth feels like a thriller at times, fast-paced and exciting, unputdownable on this first reading…

And yet, the ideas are still very much to the fore: Pullman wants his readers to think about their own world…

Daemon as soul? – personality? – consciousness? In His Dark Materials, children are horrified at the idea one might be separated from one’s daemon. In The Secret Commonwealth, the world of adults, we discover it’s not an unknown thing: people lose their daemons, fall out with them, separate voluntarily, sell them for money. There are even philosophers who would have you believe they do not exist. This is the new strand to this book: Pan and Lyra have fallen out, are estranged and go their separate ways, although seemingly on the same quest. He feels she has lost something, forgotten a key aspect of herself: are we back in the search for the meaning of Dust, the contrast between child and adult, innocence and experience? I think so, on this first reading. And everyone who is separated from their daemon seems minded to assist others like them.

Topical ideas germane to our own world abound: Pullman explores the idea of those in power undermining the nature of truth in order to disorient, confuse and ultimately disempower people, and also the notion that the enemy’s power comes from its absolute certainty of being right. And, as a good writer should be, Pullman provokes our reflection without wandering into being didactic.

I can’t wait for the final volume – but I’ll have to, obviously…

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