True escape from lockdown…

April 17, 2020

Finally some suggestions for the science fiction readers among you, when true escapism is what you crave…the top five science fiction novels in my list.

71FUig5zsTL._AC_UY218_ML3_     Austin Tappan Wright: Islandia. I came across this years ago, when I was researching my master’s thesis at the Science Fiction Foundation, in its previous existence in Barking. It’s a door-stopper (1000+ pages) of a utopia from the earlier decades of the twentieth century, set in a land on Earth but not the Earth as we know it, and at risk because of the machinations of the world we know. Someone from our world explores and grows to love the place… pure escapism, and surprisingly addictive, I have found.

Arthur C Clarke: The City & The Stars. I’ve always felt this to be his best, streets ahead of Childhood’s End, which others have seemed to prefer. It’s stunningly ambitious, for in a sense the humans on Earth in a thousand million years time have what is basically eternal life, as they are captured and encoded in a huge computer, and are regularly brought back to life, re-created, for another existence (an idea which quite appeals to me – at least I’d get all my reading done, then). There are only two settlements left on the planet in the remote future, this one with built-in eternity, and another, which is much closer to our lives at the moment: contact between the two must take place, and contact with an intelligence from another world, too.

916Pcqj+xLL._AC_UY218_ML3_     Walter M Miller: A Canticle for Leibowitz. In almost apocalyptic times, the ‘best’ of apocalyptic novels, though completely without any hope at the end. A few survivors eke out a basic existence on the scraps of our world after a nuclear war; civilisation is preserved by an order of monks, and over centuries rebuilds itself until, inevitably, history repeats itself. A creation of the doom-laden Cold War years, it remains a masterpiece among many novels with a similar premise, for its unusual take on survival after armageddon.

Mary Shelley: The Last Man. Miles better than Frankenstein, less hectic in its pace, this is a very relevant tale for the moment, set in a republican England of the late twenty-first century (though not one which we would anticipate today) where a deadly disease gradually wipes out humanity until, as the title suggests, there is finally only one person left. It’s romantic in its notions and in its sweep, as well as playing to everyone’s megalomania: what would you do, and where would you go, when you are the last person left?

51KJD1RCF1L._AC_UY218_ML3_     Ronald Wright: A Scientific Romance. This is an excellent late twentieth-century take on HG WellsThe Time Machine, which takes the traveller north from London to Scotland, where in the far future a world closely resembling that of Shakespeare’s Macbeth seems to have evolved. There have been a number of novels which have played with Wells’ original idea, and this one is an extremely good and cleverly devised tale; I hesitated between it and Christopher Priest’s The Space Machine, which manages to blend The Time Machine and The War of the Worlds very skilfully.

If you have been moved or inspired to read any of the novels on any of my lists while you have been in lockdown, which not take a few minutes to say what you thought, in a comment at the end?

3 Responses to “True escape from lockdown…”


  1. Intrigued by Mary Shelley’s The Last Man. I loved Frankenstein, but I had a kind of season of it, after 10 weeks of listening to and discussing a ‘Learning English’ version of it with my mature French students, followed by seeing a relayed version of the National Theatre play when Benedict Cumberbatch played the Creature, and then finally reading the actual novel. By then I was in total awe that a story written so long ago by a young woman could go on and continue to inspire so many other creatives to remake it, and I don’t mean Hollywood.

    Liked by 1 person

    • litgaz Says:

      I taught Frankenstein a couple of times, and it’s very clever in terms of its structure and ideas, but the style is pretty “breathless” throughout and makes reading exhausting, we found… I found The Last Man more readable, and the idea definitely appealing, having often fantasised about having the entire world to myself! If you do read it, I’ll be interested to hear someone else’s view.

      Like


      • I was very grateful to the BBC for their adaptation of the text to a format suitable for learners of English as a second language and for me that was the perfect introduction, the theatre as you can imagine was “dramatic” and the novel, a curiosity after all of that. I’m glad to hear of another one of her works though. Thanks for sharing it.

        Like


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