Many years ago when I was on holiday in France, I asked a bookseller in Dinan about travel writing, and he introduced me to the writing of Ella Maillart, a Swiss woman who travelled widely in the Middle East, China and India in the 1920s, 30s and subsequently. I never looked back: this was the last and hardest to find of her books, so my collection and enjoyment is complete.
It’s a book of her photos from many of her journeys, taken with her trusty Leica camera – she was one of the first people to have one – presented and introduced by her friend and traveller Nicholas Bouvier. There are some marvellous images that take one back into the first half of the last century, in distant parts of the world, atmospheric because of their age. They may lack the full-colour splendour of what the National Geographic magazine used to print, but they make up for it for me in their connection with one of the last few real travellers.
Maillart travelled in the Soviet Union in its early days, reaching places she wasn’t meant to go to; she travelled in central Asia; through China to India in the days of the civil war and Japanese invasion, in the company of Peter Fleming, a correspondent for The Times (his account of their trip, News From Tartary, is also well worth reading); in Afghanistan at the start of the Second World War and in India during that war. And her travels were hard work, gruelling, in the company of local people. She couldn’t escape from difficult situations by hopping on a plane or a train, she didn’t ease her poor Western limbs and sensibilities by taking time off in a luxury hotel when she got tired… she experienced the real life of the places through which she travelled, the difficulties and the hardships, and these willingly, as she gradually came to realise that she was not just on a physical journey, but on her own emotional and spiritual journey of self-discovery. It’s for these reasons that, to me, her observations and accounts feel far more real and interesting than most more recent travel-writing.
Initially Maillart wrote in French but soon turned to English so that most of her writings are accessible here, although also long out of print: she hasn’t been re-discovered yet. She used the proceeds from her writings – books and magazine articles – to finance her travels. She was extremely lucky to have been Swiss, in the sense that the two world wars did not directly impinge on her in the ways in which they would have done to almost any other European; she and her friends were appalled at what Europe had managed to do to itself in the Great War and were quite happy to leave it behind; equally, as the next nightmare approached, Maillart left for the other sideof the world.
I find her writing inspirational, in a way: she threw herself into her travels and became a part of them. There’s no European standing aloof or apart from people and places, and pontificating about them: she participates, shares, describes with a humility and an equality as well as an enjoyment of where she is and what she is doing, that is simple, healthy and life-enhancing, and I admire her more than any other traveller I have come across so far.
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